Answer:
Explanation:
.1: Benvolio tries to stop a fight in the streets, but ends up taking part in it. Afterwards, he talks to Romeo's parents, and promises to find out why Romeo has been acting depressed. He meets up with Romeo, who tells him the problem is that he's in love with a girl who isn't interested in him.
1.2: In hopes of helping Romeo get over Rosaline, (the recipient of Romeo's unrequited love), Benvolio convinces Romeo to crash the Capulet party. They'll compare Rosaline to the other women there and will see that she's not all that.
1.4: He chills with Romeo and Mercutio
1.5: Benvolio has fun at the Capulet party, then tries to drag Romeo away once it's clear that the party's breaking up. Romeo, smitten with Juliet, refuses to leave.
2.1: Benvolio and Mercutio try to figure out where Romeo disappeared to. They soon give up and head home.
2.4: The next day Benvolio and Mercutio still don't know where Romeo is. They know that Tybalt has challenged their friend to a duel. Benvolio says he is sure Romeo will uphold his honor and fight Tybalt. When the Nurse shows up, Benvolio joins Romeo and Mercutio in the general mockery of this poor woman.
3.1: As usual, Benvolio tries to avoid fighting with the Capulets, but gets drawn in anyway. When Tybalt strolls in, Benvolio tries to get everybody to calm down. He tells Mercutio and Tybalt either to chill or to continue their argument in private. As usual, nobody listens. Benvolio witnesses Tybalt and Mercutio's duel, and he is with Mercutio when he dies. Then he watches Romeo and Tybalt fight. When Tybalt dies, Benvolio tells Romeo he has to run away or the Prince will put him to death. When the Prince arrives at the scene of the slaughter, Benvolio explains what has happened.
Answer: Hello, There! your Answer is Below
The "good guy" of the play
Explanation:
Heroes may provide a protecting function beyond that of role models or leaders. Overall, heroes are more likely to help, save, protect, make the world better, and do what no-one else will than leaders or role models.
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Answer: In the first paragraph, the narraraor seeks to establish his credibility, as if he expects the reader to believe that his especially acute sense of hearing makes him more believable than an ordinary observer. The narrarator purports that his calm, detailed account will be accepted as truthful, despite some irrational decisions and actions. The narrarator's attention to detail clues the reader to "expect the unexpected" in terms of details the narrator's heightened senses reveal.
In the third paragraph, the narrator reveals that he has, in fact, killed the old man. We are hearing the account of a murderer rationalizing his actions, as if this is what anyone with his keen perception and ability to carry out this elelaborate scheme would have done. The reader realizes that this narrator is crazy, but we are still listening, but we can intrpret his intentions as absolutely irrational. Speaking corageously to the man by day, sneaking stealthily into his bedroom by night.
The fourth paragraph confirms the reader's suspicions that the narator is beyond belief: feeling the extent of his own powers. And even when he thinks the old man may have heard him, he persists in his incredibly slow, deliberate intention to intrude into the man's bedroom-- hoping to see what he has defined as Evil Eye-- as if the narrator has a duty to eliminate something that vexes only him. Our impression must be that this narrator can't escape the consequences of his actions.
Typically unnamed characters are representative of universal characters. They symbolize anyone who might find himself in such a difficult situation.
Explanation:
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