The adjectives are: “good>better>best,” “bad>worse>worst,” “little>littler, less>littlest, least;” “many, some, much>more>most.” The adverbs are: “well>better>best,” “badly>worse>worst.”
I think its b if I'm not mistaken
Answer:
This chapter begins right after the incident with the Cunningham mob. Atticus brings the two children home, and Jem is eating a heaping helping of breakfast. Aunt Alexandra is very unhappy that Scout and Jem snuck out.
Children who slipped out at night were a disgrace to the family.
Atticus said he was right glad his disgraces had come along, but Aunty said, "Nonsense, Mr. Underwood was there all the time." (ch 16)
Atticus feels differently about the incident than his sister. He feels that Scout and Jem got an important lesson about people’s behavior, and he is also happy that Scout was able to talk to Mr. Cunningham and bring him to his senses, deflating a very tense situation.
The trial has brought many conflicts to the Finch household. Aunt Alexandra has a very rigid view of behavior, especially children's behavior. She thinks that Atticus exposes his children to too many things they should not see. It is not as much their sneaking out that bothers her, but their continuous involvement in all of the unsavory aspects of the trial.
Explanation:
<u>The answer is 1: He thinks the fighting is foolish and wasteful.</u>
The narrator's view on the scene is not pleasant at all, Grendel finds himself in the middle of chaos, in the middle of all the battle's wastefulness and dead bodies of animals and men, and he can't help to see it as confusing and frightening and to feel "sick". All of this reveals that Grendel thinks the fighting is foolish and wasteful.
The description of spring in The Canterbury Tales’ prologue contributes to the narrative that follows <span>by connecting the idea of new beginnings to the desire to make pilgrimages.
Spring is usually a symbol for a new beginning, and The Canterbury Tales is a story about a group of people who want to start something new and make a pilgrimage.
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