The definition of "tone" in literature is the way the author expresses his attitude through his writing. The tone can change very quickly or may remain the same throughout the story. Tone is expressed by your use of syntax, your point of view, your diction, and the level of formality in your writing.
I believe the answer is:
1. Ivan Ilyich wanted to weep, wanted to be petted and cried over, and then his colleague Shebek would come, and instead of weeping and being petted, Ivan Ilyich would assume a serious, severe, and profound air.
2. "This falsity around him and within him did more than anything else to poison his last days
From the first sentence, the narrator infer that even when a member of rising middle class is experiencing grief, they are forced to hide it due to the concern of their social standing.
From the second sentence, the narrator infers that unability to express emotion started to eating them from the inside and make them miserable.
The purpose<span> writing an </span>essay<span> is determined by your goal as a writer, as well as your subject matter. There are numerous types of </span>essays<span>, but </span>essays<span> usually fall under one of the following </span>purposes<span> for writing: to inform, persuade, explain or entertain.</span>
Answer:
“A Red, Red Rose,” also titled in some anthologies according to its first line, “O, my luve is like a red, red rose,” was written in 1794 and printed in 1796. The song may be enjoyed as a simple, unaffected effusion of sentiment, or it may be understood on a more complex level as a lover’s promises that are full of contradictions, ironies, and paradoxes. The reader should keep in mind the fact that Burns constructed the poem, stanza by stanza, by “deconstructing” old songs and ballads to use parts that he could revise and improve. For example, Burns’s first stanza may be compared with his source, “The Wanton Wife of Castle Gate”: “Her cheeks are like the roses/ That blossom fresh in June;/ O, she’s like a new-strung instrument/ That’s newly put in tune.” Clearly, Burns’s version is more delicate, while at the same time audaciously calculated. By emphasizing the absolute redness of the rose—the “red, red rose”—the poet demonstrates his seeming artlessness as a sign of sincerity. What other poet could rhyme “June” and “tune” without appearing hackneyed? With Burns, the very simplicity of the language works toward an effect of absolute purity.
Explanation:
no explanation :)
