Aquí el fue el que descubrió America
Answer:
Jing-mei discovered that she and her mother are so different and that she will not let her mother's expectations be what she becomes. Rather, she will be her own self and do the things she wanted to do.
This scene helped develop the theme of discovering and accepting one's true identity and accepting things even though they may not be what others expect and want to see.
Explanation:
Amy Tan's short story "Two Kinds," tells the story of Jing-mei and her mothers’ high hopes for her. But despite all the expectations, Jing-mei also struggled with accepting her own identity as a Chinese girl living in America.
Paragraph 15 of the story reveals the scene where Jing-mei 'discovered' her true self, looking in the mirror. She declares<em> "I had new thoughts, willful thoughts - or rather, thoughts filled with lots of won'ts. I won't let her change me, I promised myself. I won't be what I'm not." </em>This scene is the transition from her rejecting her mother's expectations of her and her decision to be true to herself and do what she wants. She also discovered that she truly hated what her mother wants for her and that they are two poles apart.
This scene helped develop the theme of discovering one's identity amidst what her family expects from her and the need to 'adhere' to certain expected rules.
Answer: in different ways
like say if your on insta(gram) and someone starts say like your ugly and and need to get a life of on tik (tok) and people start saying you can't dance and you can't do this and you can't do that thats bullying but.. there is a difference between being bullied and being attacked on the internet being attacked it like say that your making a tik (tok) and next thing you know your fans start committing that they want to meet you and this and the other and than "somehow" 1 of your fans finds you and boom you missing like you need to be careful people these days are crazy
hoped this helped (not trying to be like that mom person but i think you get it)
Jo additionally adores writing, both perusing and composing it. She creates plays for her sisters to perform and composes stories that she in the end gets distributed. She emulates Dickens and Shakespeare and Scott, and at whatever point she's not doing tasks she curls up in her room, in the edge of the attic, or outside, totally ingested in a good book.
Meg, short for Margaret, is the most oldest and (until Amy grows up) the prettiest of the four March sisters. She's the most typical of the sisters – we think about her as everything that you may expect a nineteenth-century American young lady from a good family to be. Meg luxury, nice things, dainty food, and great society. She's the only sister who can truly recall when her family used to be wealthy, and she feels nostalgic about those past times worth remembering. Her fantasy is to be wealthy once again, and have a big mansion with tons of servants and costly belongings. She's additionally somewhat of a sentimental; when she needs to tell a story to delight her sisters, it's about love and marriage, and Jo begins to suspect at an early stage that Meg may have a genuine Prince Charming in her thoughts. Meg is sweet-natured, devoted, and not in the least flirtatious – truth be told, she's unreasonably great and proper. Maybe that's the reason she's so alarm by her sister Jo's boisterous, tomboyish behavior.
