Before answering the question, I would like to present the different modes of persuasion, also referred to as ethical strategies or rhetorical appeals. They are maneuvers in rhetoric that classify the speaker's appeal to the audience. The Rhetorical Appeals are:
Ethos: It is how well the presenter convinces the audience that the presenter is qualified to speak on the subject, and by doing that what the presenter says is valid.
Pathos: is an appeal to the audience’s emotions
Logos: it. It is normally used to describe facts and figures that support the speaker's claims or thesis.
Kairos: An orator uses this to their advantage to persuade the audience to act now at the time being.
Even though you did not include the excerpt, I know for sure you mean this one:
<em>"She had told them about the place where they would stay, promising warmth and good food, holding these things out to them as an incentive to keep going."</em>
In this particular case the rhetoric appeal used is:
an appeal to the audience’s wants and needs which is a Pathos Rhetorical appeal.
The correct answer would be loosened because a participle is used as for an adjective or adverb for ex. Billy broke his arm playing ball. the participle is broke.
i hope this helps <span />
Answer:
Sorry to ask you but I kind don't understand what you are trying to ask me
Explanation:
Answer:
- It has iambic pentameter.
Explanation:
Blank verse is elucidated as the literary device that involves a regular iambic pentameter(consists of five iambic feet(an unstressed or short syllable followed by a stressed or long syllable)).
In the given excerpt from Robert Frost's 'Mending Wall', <u>the use of 'iambic pentameter'(five metrical feet') makes it fall in the category of blank verse and helps the poet to create the desired rhythm and mood to convey the intended message effectively</u> ('remove the barriers(walls) that prevent socialization or human interaction) to the audience<u>.</u> The poet feels that 'walls are not good for humans as it promotes isolation and segregation.