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After reading the passage, I see how the author uses connotations and figurative language to make his experience come to life. The author uses a mix of postive and negitive connotations like "fast" as a positive connotation, and "lighting" as a negitive connotation. Though the author is using negitive connotation in the paragraph, the story itself is not meant to be negitive, rather exciting and uses figurtative language as a description. This is expressed through the phrases like, "electric fight" but the author hints at what they mean through the following context clues like, " for us to turn on and off as we please." Which indicated a light swich, and the electric that "fighting" through it. This make it feel like not just a light swich or power, but an electric storm that comes to life!
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Herd behavior in humans is frequently observed at times of danger and panic; for example, a fire in a building often causes herd behavior, with people often suspending their individual reasoning and fleeing together in a pack. i hope this helps :) have a good day
It is false that dive and five are a pair of eye rhymes.
Eye rhymes refers to words which are written similarly, but have different pronunciations. For example, love and move - as you can see, their spelling differs only in one letter, but their pronunciation is not similar at all. This is not the case in dive and five - they are both written and pronounced similarly.
Answer: From the very first paragraph, Santiago is characterized as someone struggling against defeat. He has gone eighty-four days without catching a fish—he will soon pass his own record of eighty-seven days. Almost as a reminder of Santiago’s struggle, the sail of his skiff resembles “the flag of permanent defeat.” But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. He lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless.
Because Santiago is pitted against the creatures of the sea, some readers choose to view the tale as a chronicle of man’s battle against the natural world, but the novella is, more accurately, the story of man’s place within nature. Both Santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. As Santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: “man is not made for defeat . . . [a] man can be destroyed but not defeated.” In Hemingway’s portrait of the world, death is inevitable, but the best men (and animals) will nonetheless refuse to give in to its power. Accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an old man’s trophy catch.
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