Answer:
While separate from the body of work preceding it due to the nature of an epilogue, it is an integral part of the work. It provides resolution to an otherwise unresolved piece, and the piece actually prepares for the epilogue by mirroring it throughout the play.Throughout the play, themes of power and magic develop, complementing each other so that ultimately, the nature of Prospero’s power can be either revered, or reduced to smoke and mirrors. Prospero’s power to administer pain gives him control over Ariel and Caliban. However, with many of the other characters, control is gained by illusions – sometimes pleasant, and sometimes upsetting. Prospero makes Ferdinand follows Ariel’s music’s “sweet air,” but he confounds Caliban, Stephano, and Trinculo by adding a faceless voice, which disturbs them, and makes them quarrel. Prospero doesn’t actually make anyone do anything; he appeals to their senses in either a positive or negative way, and their response to these sensations brings about an action Prospero required. However, by the play’s end, it is never resolved whether Prospero had any real power, or was simply manipulative enough to get what he wanted. This will be resolved in the epilogue.The epilogue is a monologue delivered by Prospero.
Explanation:
Main entries come first. A main entry consists of the meaning shared by the members of the synonym group, a verbal illustration, and lists of synonyms as well as any related words, phrases, near antonyms, and antonyms.
A.) herman melville.................... sorry it needed 20 characters
The writers who most likely influenced our Founding Fathers are Locke and Voltaire, as well as Spinoza and Rousseau.
These writers were very political in nature, and their ideas about a free country resonated with the Founding Fathers when they wanted to establish a liberated America based on the principles of democracy and natural freedoms, as well as basic and more advanced human rights.
A=Edgar Poe didn't write "just anything" that would sell. If he did that, we probably wouldn't have ever heard of him for several reasons which are ultimately unimporatant to this question.
B=He claimed his first love was poetry, and he considered himself a poet before a regular, ordinary writer, but given the way the choices are worded, I'd say that B is still, with this in consideration, not the answer.
C=Edgar Poe did fabricate his personal life one time, when he created a backstory for his alias Arthur Gordon Pym.
D=True, he did invent it before Sir Arthur Conan Doyle ripped off Poe's detective C. Auguste Dupin.
E=Edgar Allan Poe was never insane. He was not that kind of man. He was more philosophical and aristocratic. Although in his youth he had toyed with an alcohol vice, he overcame it in his later years. He is only (and falsely) known for an alcoholic past because after Poe died, Poe's editor, Rufus Griswald slandered Poe and re-wrote Poe's biography, altering history away from the truth. Edgar Poe was never the "madman-alcoholic" that some people wrongfully believe he was.
