Answer:
All of the above.
Explanation:
From all of the remarks provided, it could be assumed that Emma was extremely privileged in terms of social rank in life (being affluent), as well as having a loving father and a governess who loves Emma so much to the point that she couldn't offer her any constraint. Emma's mistaken faith in her powers as a matchmaker and her prudish dread of love are at the heart of the narrative, which follows her missteps and developing self-understanding as a result of having these things and people around her.
We can actually deduce here that the sentence that is not true of Jim's behavior is: A. Jim does not understand that there are consequences for bad behavior.
<h3>What is behavior?</h3>
Behavior actually refers to the way someone acts and reacts. It has to do with the actions and manners of someone towards others and towards his environment.
We see here that this question was taken from "The Story Of The Bad Little Boy" written by Mark Twain. The story reveals a badly-behaved boy whose name is Jim, It is seen that his life is not at all like a "Sunday-school book". Mark Twain is known to be an American author.
Below is the complete question:
Which of the following is NOT true of Jim's behavior?
A. Jim does not understand that there are consequences for bad behavior.
B. Jim creates plans to misbehave and escape blame or responsibility.
C. Jim's story is unusual in comparison to other stories of mischief.
D. Jim is aware of how his actions affect others and is unashamed.
Learn more about behavior on brainly.com/question/1741474
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Answer: B. It provides a humorous parallel to the main plot.
Explanation:
Shakespeare's <em>The Tempest</em> explores the theme of subordination embodied primarily in the relationship between Caliban and his master, Prospero. The subplot involving Stephano and Trinculo includes some of the most important issues present in the main plot, but serves as a comic relief from the main action. For example, Stephano and Trinculo joke about selling Caliban for a piece of silver, calling him 'a strange fish' (Act II, Scene II).
