Claudius has clearly decided in this scene that he can appease Laertes' wrath and get rid of Hamlet in a single stroke
<h3>What is Claudius's treatment of Hamlet?</h3>
When Laertes seeks vengeance for his father Polonius' death at the hands of Hamlet, Claudius devises a "surefire" plan to deal with Hamlet once and for all. He arranges a fencing match between Hamlet and Laertes, but conspires with Laertes to poison his foil and poison Hamlet's drink.
<h3>What does Claudius resolve to do about Hamlet?</h3>
Claudius finally recognises the gravity of Hamlet's threat and begs Rosencrantz and Guildenstern to hurry him to England to get him out of the way. Claudius, who is unknown to everyone except the audience, now realises that he must instruct the King of England to murder Hamlet.
<h3>Is Claudius remorseful for murdering Hamlet?</h3>
He couldn't bear seeing his brother happy, so he decided to murder him. Claudius feels bad about murdering his brother. When Claudius is talking to God and giving his monologue about his murder, we can see his remorse. As a result, Claudius declares, "My stronger guilt defeats my strong intent"
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<span>The use of 1.____ in the excerpt above helps accomplish the Twain’s objective to capture the essence of people from different regions. He uses this technique to make the story more 2.___ , which is one of the main characteristics of 3.____ literature.
1. dialects
2. credible
3. realist</span>
Answer:
Irregular
Explanation:
You can think of "regular" as several neat rows or many similar things. They are all "regular" with each other and you can sort of predict what will come next.
There does not seem to be a specific pattern here, so we can conclude the answer most likely is irregular.
<span>Elie states that, "Physically, he was as awkward as a clown. His waiflike shyness made people smile. As for me, I liked his wide, dreamy eyes, gaz-ing off into the distance." I think it is ironic that the person villagers regarded as a comic figure, of no consequence, should be the messanger of their fate.
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