Answer:
C. It ends with a marriage, but also with Prospero giving up his powers.
Explanation:
The tempest is a play written by William Shakespeare between 1610-1611, it narrates the story of Prospero a magician that sets a storm to wreck a ship, this sets the story to kill the King of Naples. While it is a romantic style play, it isn´t traditional because of the ending, it end with the marriage and the magician giving up his powers.
Answer:
D. used and understood in other words.
Explanation:
Example: pre.
Precooked.
Prefix.
Precipitation.
Portable parts of words are suffixes and prefixes.
Answer: 23¹/₄
23 and 1 over 4
Explanation: Use PEMDAS OR BODMAS to calculate
(3/6)² + 7 × 4 -5 Parentheses first. 3/6 is 1/2 Then Exponents
(1/2)² is ¹/₄
Then calculate Multiplication and Division
7 × 4= 28
Now we have
¹/₄ + 28 - 5 Do the Addition and Subtraction, left to right.
28 ¹/₄ - 5
23 ¹/₄
<em>It looks as if the same question is posted twice here, and a bit confusing to sort out. I am assuming the parentheses around the fraction, and that the "power of 2" is the exponent. If the "2 + 7 × 4 -5" is all in parentheses as an exponent to calculate, that would result in a different answer. </em>
<em> I hope this helps.</em>
Answer:The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments. Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the anarchist views of William Godwin, whose Enquiry Concerning Political Justice had appeared in 1793. Shelley’s revolutionary ardour caused him to claim in his critical essay “A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Queen Mab (1813), the long Laon and Cythna (retitled The Revolt of Islam, 1818), and the lyrical drama Prometheus Unbound (1820). Shelley saw himself at once as poet and prophet, as the fine “Ode to the West
Explanation: