Answer:
The disagreement in this sentence is misplaced modifier.
Explanation:
A modifier, as the name suggests, is a word or phrase used to modify another element mentioned in the sentence. For that reason, <u>modifiers tend to stand close to the word they refer to in order to avoid ambiguity.</u> <u>A misplaced modifier happens</u> when ambiguity is not avoided. <u>The modifier is placed incorrectly, too far from the word it refers to</u>, which makes it difficult to understand and connect the ideas.
<u>In the sentence we are analyzing here "[s]unny yet dusty" is a misplaced modifier. It makes no sense for the word "sunny" to refer to "traveler" in this context. That means this modifier refers to "destination", but is too far away from it in the structure. One way to correct it is:</u>
The traveler finally arrived at her destination, which was sunny yet dusty.
The next soliloquy Hamlet has after seeing the ghost of his father is in Act II, Scene ii after the players, Rosencrantz and Guildenstern, have left him alone. In this soliloquy ("what a rogue and peasant slave am I"), Hamlet expresses his frustration with the fact that the actor could create tears in an instant about a fictional character, but he has lost his actual father and cannot even do anything about it. Through this he also decides on the plan to try and catch Claudius' guilt.
Bouchier had the "foreign" persona which gave her only Romany novels in future.
<u>Explanation:</u>
The persona that Bouchier had acquired in the films of Wilcox was the "foreign" persona. But because of this persona, it was difficult for her to shed that persona away.
Because of this persona that she had got, she could only get Romany roles in the other films also. Slowly and steadily, the career of Bouchier went down and an actress of great versatility, huge talent and beauty was lost by the cinema.
Answer:
King Minos was a mythical and terrible dictator of Crete who demanded the tribute of Athenian boys to feed to the Minotaur in the Labyrinth and was a judge of the Underworld, as represented in both Virgil's Aeneid and Dante Alighieri's Divine Comedy narrative, the Inferno.
