I’d say B. Because an archetype is a very typical example of a person or thing. B seems to fit best!
<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
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Answer:
By describing their neglect of orders
Explanation:
The first line of the excerpt shows the order that was given to the Odysseus men. "but on the spot I told them: 'Back, and quickly! Out to sea again!' ". But the succeeding lines reveal that instead of the Odysseus men to obey this order given to them, they were busy feasting and merrying. They were drinking wine and feasting on sheep and cattle. The writer described them as "mutinous" and "fools" because of this act.
By the time they were engaging in this careless acts, the fugitives were calling to arms the force of Circones.
<span>The correct answer is Imagery.
Eliot, differently to authors of his time, uses imagery quite often in his
works. In these lines, he mentions arms, and perfume, with references to
bracelets and hair, in order to refer to a group of women, who are reoccurring in
the poem, while giving the reader a disconnected impression of them. </span>
