The correct answer is an interesting inciting incident.
It is something that happens in a story that makes you interested to find out the result of it - you need to know what is going to happen next, which is why you can't stop reading. This is an element of a story that good writers always use to spice things up.
According to King, <u>many writing teachers</u> will not like the idea that competent writers can be made into good writers.
This is his exact quote:
"...while it is impossible to make a competent writer out of a bad writer, and while it is equally impossible to make a great writer out of a good one, it <span>is </span><span>possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one."
</span>So writers that have some merit will become good writers after a time of practice and hard work.
This excerpt from the "los Angeles Sunday Times" (June 1899) might reflect <span>society’s discomfort with women’s emerging independence in 1899 (option A). It is suggested that the author of the book (Kate Chopin) wrote an "</span>unhealthy introspective and morbid in feeling as that sort of woman must inevitably be".
Answer:
<em>I can see that there are no choices.</em>
Cinna wanted Brutus to join his group.
Explanation:
Cinna is <em>one of </em><em>Julius Caesar's</em><em> conspirators</em>.
While he was talking to Cassius, he tried to convince him to let Brutus (a noble Roman) join the group. Cassius then told Cinna that the matter would be taken care of smoothly if<u><em> Cinna would plant fake notes to convince Brutus</em></u>. The notes were to be placed <em>on Brutus' chair </em>and <em>on the statue of his relative</em>. It contained a message about <u>how dangerous Caesar </u>was as a leader of Rome and that <u>Brutus was better than Caesar</u>.
So, this explains the answer.