Answer:
C) they showed that Hughes just wanted African Americans to be full members of the United States
Explanation:
<em>This is the right answer to the question. Hughes has always promoted that both the Whites and the African-Americans belong to one country and their should be no segregation whatsoever.</em>
<em>He expressed his view through his poetry.</em>
Answer:
No, none that I am aware of. In Shakespeare’s time, a tragedy meant that the main character falls from fortune to disaster, normally because of a flaw or fate. Obviously, other characters may be unharmed, or may even benefit from the protagonist’s downfall. I’m not writing to make fun of other posters, but we could as easily call the Matrix a tragedy because Agent Smith loses, or say that Titanic has a happy ending for coffin salesmen. Yes, Macduff or Fortinbras do well at the end of their plays, but they are not the protagonists.
For that reason, because a pre-modern tragedy definitionally means that the hero falls, and that’s what happens in Shakespeare’s plays, I’d say no. There are “problem” plays such as the Merchant of Venice, where the opposite happens—a comedy has a partly sad ending, with Shylock’s defeat—but again, it’s all in what the protagonist does, and Antonio (the merchant) wins at its close when his ships return
Answer:
Can you pass the salt?
Move out of my way!
Can you turn the volume up?
Go away!
Explanation:
An imperative sentence is just a command. As you should know a command can end in all sorts of different punctuation based on how the command is phrased. If someone is agitated, the command "Can you turn the volume up?" may turn into "Turn the volume up!"
