<span>Hutchinson's charge of puritans living by a "covenant of works" was stressed in the covenant of grace, the idea that individuals could be saved only by God's grace in choosing them to be in the elect. This contrasted to the covenant of works (the belief that behavior can bring salvation).</span>
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Answer:
Maria is the comedic relief
Explanation:
So after reading the plot a bit, I realized one thing: There is always a comedic relief in a good portion of plays, and Maria is one of them. Maria is smart, witty, and any other simile of intelligent out there. She uses her intelligence to play a few pranks on Malvolio. So obviously, this is going to make the audience laugh at least a little. So thinking about it, Maria is that one class clown in your classroom.
Unfortunately, I don't have a copy of this play, so just use this as a little template (since it's nowhere near professional).
Source: https://study.com/academy/lesson/maria-in-twelfth-night-character-traits-analysis.html
It is predominantly two syllables per stress, weak-strong, so it is iambic. The refrain is basically dactyllic, with an extra beat at the end, but the narrative part is iambic.
For only this line, Note the pattern of stressed syllables:
HICK-o-ry DICK-o-ry DOCK --- that's (principally) dactylic
Answer: Sympathetic.
Explanation: The character is desperately hungry, <u>so the author uses sympathetic language to express how weak the character is</u>. Because of hunger, the weakness must be the preponderant element expressed, what is done by means of the syntax language and the speech itself: "<u>I'll work for a little piece of meat</u>."
The author uses a lot of punctuation to shorten the sentences and to pass the idea of espasmodic thinking.
This is a great example of mixing grammatic with the situation the character lives.