Answer: B
Explanation:
When I write a story, I want an emotion. If anything, I want to hurt my readers. I write such tales with "heroic" characters that I end up showing their backstory out of order.
I start from the prettiest and shiniest parts of his story, to finally, the beginning where it shows his roughest and grittiest side. With this idea, I give the impression of a good man, but when I show his gritty and bad side, it will probably make the reader feel betrayed. Like they thought they knew him but they really didn't
Now, if I were to show his backstory in order, we get a generally normal reaction. A man commiting crime turns good and starts fighting crime.
Thoreau’s reasons for moving to the woods are; to live in front of essential facts of life, to live sturdily and spartan like, to drive life to a corner, the purpose of thoreaus writing is to inform his journey of living in a cabin that he built in the woods. The lines 26-40 are talking about what thoreau why he is doing this, living by himself and what he hopes to gain from it.
The correct answer is The meter is fixed, drawing attention to the end rhyme.
Both lines have the same number of syllables and the accent pattern is identical in both, which means it is a fixed meter. Not every syllable is stressed however, only the ones that are required for the pattern.
Answer:
The first challenges to confront Frodo dramatize his inexperience. He is indecisive, delaying his departure from the Shire as long as possible even though he knows the task is urgent. He opts to risk the dangers of the Old Forest, nearly getting himself and his friends killed — twice. He behaves foolishly in Bree, drawing unnecessary attention to himself. And he gives in to the temptation to put on the Ring at Weathertop, making himself vulnerable to the Ringwraiths' attack.
Nevertheless, Frodo survives both the obvious dangers and his own mistakes. The novel attributes his success to two main factors. First, as Gandalf is fond of pointing out, hobbits are tougher than they look, and simple toughness — the ability to endure hardship and move past it — goes a long way in this struggle. Second, Frodo does not want and never sought the power of the Ring, meaning that he continues to resist its lure. Although he lapses momentarily at Weathertop, he reiterates his commitment to resist at the Ford of Bruinen. Heroism does not require perfection, only the aspiration to do good.
Explanation: