Answer:
6. C
it was thought that aristocrats got sick and died after eating them
7. C
Hindu-Arabic numerals, set of 10 symbols—1, 2, 3, 4, 5, 6, 7, 8, 9, 0—that represent numbers in the decimal number system.
8. not correct.
9. not correct.
10. C
Explanation:
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Answer:
Twain't ambition to travel to different places as a pilot of a steamboat reflects the American desire for expansion
Explanation:
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Answer:
<u>The key details that contribute to the irony in the poem are the following:</u>
*The things that are considered no death, are the ones are not breathing or living.
*Even a pebble lies in a roadway, still it never experiences death. *No matter how grasses are cut, they still grow in the same place.
*Brooks, even though its flow is not that much, still you can see it come and go.
*Despite all these things that are not living, they do not fade nor die. But since a human is strong and wise, makes it the reason why it dies.
Explanation:
The irony in Louis Untermeyer's poem is given by the fact that those things that have no awareness of themselves, like pebbles and dust or sand and streams, live forever. Because that which is not alive cannot die. On the contrary, man, who is strong and intelligent, who is aware of himself and all the things around him and wants to live forever, eventually dies.
He tends to use more emotional appeals for a greater sense of power
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places: