Depend on who you're trying to persuade. Depending on the subject, the audience may be different, so the need for persuasion may have a different appeal. If it's a tragic novel, it may call for emotional and ethical persuasion. In a murder mystery, for example, it may call for logical and rational persuasion. In a fiction novel, it may call for facts and evidence, especially if evidence is needed to be cited. And most often times, persuasion includes interests and opinions, so don't worry about that one.
<span>Both parents died in 1811, and Poe became an orphan before he was 3 years old.</span>
Father Amadi bids farewell to several family while Kambili follows behind. Father Amadi rubs his face to Kambili's, but doesn't kiss her, after one visit, as they are getting into the car.
She will find all the affection she needs, he assures her, and she is gorgeous. Kambili believes he is mistaken. Kambili sobs while gazing out the window as they drive home.
When Kambili goes on her first expedition with Father Amadi, her quest toward freedom continues. While Kambili is staying with her relatives, Father Amadi, a young priest who has a favourable opinion of Kambili, tries to help her discover her voice.
To learn more about Father Amadi here:
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<u>Answer:</u>
<em><u>b. a story's mood is usually suggested or created by details about the story's setting.</u></em>
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<u>Explanation:</u>
The mood of a story can also be thought of as the story's atmosphere. Mood is the emotional reaction a book, painting, or any other piece of art work bestows on its audience. The mood of a work of literature is usually established through the character(s), setting(s), and plot. Any good writer forms a distinct setting that typically hints to the story's mood. Therefore, <em><u>a story's mood is usually suggested or created by details about the story's setting.</u></em>
Bold best described the tone.
