ctually it tracks the movement from 1848 through a series of obstinated state campaigns in Colorado in the 1890s and beyond. Marilley stresses the adaptability of the abolitionist legacy and admires the size of equal-rights ideology after the Civil War to contain a variety of goals for women, including goals to protect women.
<u><em> Suzanne Marilley’s history of the suffrage movement is referring to the full history from 1820 to 1906. The most innovative contribution comes from the author’s research in the Colorado suffrage victory in 1893, which offers an excellent analysis of state politics. </em></u>
In this case study she closely examines the political context and the array of liberal and illiberal arguments used simultaneously to gain the support of various constituencies. She manage to write about the social context of male control over most features of women's lives. She points to a hypersexualized American popular culture that presents women with “self-actualizing sexuality that still hinges on male approval” and persistent labor discrimination and maintains that the feminism that helped change marriage and possibilities for girls can fulfill its “promise” for social change.
<u><em> She credits feminists who build coalitions to effect social change—for example, the twentieth century abortion reform movement culminating in Roe v. Wade victory represents concerted efforts of “physicians, psychiatrists, and family planning professionals along with activists.” </em></u>
Change in the medium allows the audience to use knowledge they already have to interpret the new form of the artwork.
Idk if dis will help but here is a summary.
The Chorus wonders aloud about the origins of Oedipus. An old man is led in by Oedipus’ servants and identified as the herdsman, the man who gave the baby to the Corinthian messenger so many years ago: Oedipus insists on him revealing exactly what he knows. The messenger says that Oedipus is that same baby, who was abandoned by his father and mother - and the herdsman reacts with fear and begs the messenger to hold his tongue. Oedipus threatens the messenger with physical violence, and finally the man confesses that the baby was a child of Laius's house.
Oedipus asks if it was a slave's child or Laius's child, and the shepherd confesses that it was Laius's child - a child that Jocasta gave him to expose on the hillside because of a prophecy that he would kill his father. The shepherd says he didn't have the heart to kill the infant, so he took it to another country instead. “They will all come, / all come out clearly!” cries Oedipus. “Light of the sun, let me / look on you no more!” (1183-4). He has finally realized what has happened and all exit except the Chorus. The Chorus reflects on the mutable nature of human happiness - all happiness, they say, is only “a seeming” and “after that turning away” (1191-2). Nobody can ultimately escape fate.
Answer:
If I was on the stage about to play my favorite instrument for a massive crowd it would make me feel nervous and excited. I would feel nervous because I am playing in front of a bunch of people watching and listening to me. I would feel excited because I get to play what I love and show everyone why i love it. That is what i would feel if I was playing my favorite instrument in front a massive crowd.
Explanation:
this is the best i got sry
