Answer:
- (whatever class or subject, fill it in) has helped me a lot and I've learned a lot from this.
- I've learned (list some skills) from my favorite people who are (list people who you learned the skills from) and I am grateful for them everyday.
Explanation:
you dont have to follow this exactly but yeah
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
Often, I lie awake at night
At night, I ponder
I lay awake and gaze upon the stars
Counting sheep does not help me fall asleep
The clock ticks, but I lie awake
Until the rays of the morning sun hit my face
I changed this poem by adding more detail to the original lines. Since I did this, you can understand what is going on in the poem better.
Answer:
Well, I assume that you are referring to the SECOND sentence. The only error is the missing obligatory comma after the coordinating conjunction "so."
Explanation:
I think your question is incomplete...
