The infinitive phrase "to see her again" serves as the object in the sentence "David is going to see her again."
What exactly is an infinitive sentence?
Infinitive sentences can use nouns, adjectives, and adverbs. When an infinitive phrase answers one of the four questions—where, when, how, or why—it is employed as an adverb. In that case, the verb is altered by the following infinitive. Because it answers the question "What is he going to do?" the infinitive phrase acts as the object in this sentence.
How do you recognise an infinitive phrase?
An infinitive phrase, which begins with an infinitive, can be finished with a direct object or an adverb. An infinitive phrase is typically used after the sentence's primary verb.
The infinitive phrase serves as the object in this sentence since it provides an answer to the query, "What is he going to do?"
Therefore, Infinitive phrases are always finished with a direct object.
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Many critics believe that most the eighteenth-century was not a great age for English poetry. They suggest that the verse is second rate or inferior when compared to the verse of other eras. The poetry of this time, however has a distinct identity. It offers distinctive styles, themes, and theories. "On the whole, the literature of this period is chiefly a literature of wit, concerned with civilization and social relationships, and consequently, it is critical and in some degree moral or satiric" (Monk 1778).
Many different styles of poetry were used during this time period. Much eighteenth-century poetry is described as neoclassical. This was the major style used throughout the century. Writers used particular vocabulary, phrase formations, technical terms, and archaisms. John Dryden popularized this style in his late seventeenth-century poetry. Eighteenth-century poetry has an ". . . anomalous style . . . in which descriptive words, especially adjectives, verbs turned into adjectives, and long periodic passages of description predominate; action is at a minimum; wit and irony disappear" (Quintana 16). Other poetic styles made use of blank-verse, humanistic themes, odes, allegorical imagery, and descriptive styles.
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Answer:
This passage is from chapter 6 of F. Scott Fitzgerald's novel "The Great Gatsby", where Nick believes Jay Gatsby's dream of getting Daisy back after all the years is ending.
Explanation:
In Chapter 6 of "The Great Gatsby" by F. Scott Fitzgerald, Nick Carraway narrates how Jay Gatsby had wanted to get back with his former lover Daisy. But Daisy had already married Tom Buchanan, who Jay despises.
Tom and Daisy had come to Gatsby's house to party and Tom had decided to follow Daisy just to keep an eye on Gatsby. After the party got over and everyone has left, Gatsby exclaimed to Nick that Daisy is different, that "<em>she doesn't understand</em>". When asked further, Nick realizes that Jay wanted Daisy to leave her husband and come to him. He wanted her to "<em>obliterate the four years</em>" she's married to Tom, and "<em>go back to Louisville and be married from her house—just as if it were five years ago</em>". For Gatsby's part, it sounded a bit greedy, expecting her to act how he wanted things to be.
Madly in love with her, he wanted to get back with her on his terms, not thinking of what the others will feel. This, Nick feels, is the blatant end of Gatsby's dream which was to get Daisy back. This is his version of truth, Daisy telling Tom "<em>I never loved you</em>" and go to Jay, while the truth was that it was just a dream, wishful thinking. Unable to see past his own fantasies and wants, he believes and want/ expect Daisy to return to him.
Answer:c and b
Explanation:
do you know how to copy and paste?
Act III, scene ii. Brutus and Cassius enter the Forum with a crowd of plebeians. Brutus explains to the crowd that Antony had no part in the conspiracy but that he will now be part of the new commonwealth. The plebeians cheer Brutus's apparent kindness, declaring that Brutus should be Caesar.