<span>In these two stories or literary novels"Sixteen" by Maureen Daly and "Through the Tunnel" by Doris Lessing "who are both authors or wordsmiths, Maureen Daly and Doris Lessing" uses a theme, subject, or topic matter of their characters or dramatis personae who are wanting to prove, validate, and justify themselves to someone. However, the differences, distinctions ,or variation of these two stories or literary novels becomes starkly useless , entirely obsolete, and exhaustively and consummately kaput when who or whom the two characters or dramatis personae aspire to prove, validate, and justify themselves to. In "Sixteen" by Maureen Daly the principal character, main character, or dramatis personae seems to be attempting or trying really and truly hard to prove, validate, and justify herself to the reader, that she is insightful and perceptive enough and popular enough to congruous be telling this story or literary novel. But in "Through the Tunnel" Jerry attempts or tries really and truly hard to prove, validate, and justify himself to the older, mature looking men he looks up to and withal to himself. Throughout each story or literary novel, the characters or dramatis personae attempt or try to prove, validate, and justify something to themselves or other people or characters. In Doris Lessing's short story or literary novel"Through the Tunnel"" by Doris Lessing" the principal character, main character, or dramatis personae who or whom we can apperceive or apperceive as Jerry opportunely accommodated or made acquaintance himself with a group of older, mature looking men hanging around in a wild-looking bay, cove ,or estuary full of rocks. These two completely and totally different short stories or literary novels "Sixteen" by Maureen Daly and "Through the Tunnel" by Doris Lessing are both chock full of kindred spirits predicated on the absolute fact that both characters or dramatis personae attempt </span> <span>or try to prove, validate, and justify something to someone, but they are different because those someones are different in these two stories or literary novel. While both stories or literary novels are starkly different in subject, theme ,or topic matter that both principal characters, main characters, or dramatis personae attempt or try to prove, validate, and justify themselves to someone. In "Sixteen," by Maureen Daly it is the reader. In the story or literary novels "Through the Tunnel," by Doris Lessing it is the older, mature looking men and later himself that makes Jerry to push past his inhibitions and fears and conquer or overcome them . The second homogeneous or same attribute or kindred characteristic between the two stories or literary novels is that the people or characters who had transpired to repeal the principal characters, main characters ,or dramatis personae which of course whom never present themselves again, are the leading cause that prompts both characters or dramatis personae in these two stories or literary novels by of course being ostentatious with their earnest and veracious and genuine general and exhaustively simply authentic and true feelings and motivations all throughout these two stories or literary novels.</span>
what motivites her is that she has the strength. In “Sonnet,” the speaker wants to keep his “strength and courage” in difficult moments (Line 4). His motivation is that “there is power making for the right” (Line 14).
Explanation:
Fighting for what's right also motivated Ida B. Wells to act heroically.
i hope its accurate bc i havent read this in a while . brainliest ?
If the question is referring to Rothman's article "The Serious Superficiality of the Great Gatsby", I believe the correct answer is C. The novel is about refusing to see reality no matter the cost.
Explanation:
<u>According to Rothman, the novel's (and the eponymous film's) appeal stems from its flatness, seductiveness, and rejection of reality.</u> Even though the characters are nominally seeking love and meaning, they are "desperate to give in to nearly anything—a drink, a person, a story, a feeling, a song, a crowd, an idea".
Rothman goes on to say: <u>"'Gatsby' captures, with great vividness, the push and pull of illusion and self-delusion; the danger and thrill of forgetting, lying, and fantasizing; the hazards and the indispensability of dreaming and idealization."</u> The underlying reality of the novel and the so-called "roaring twenties" that serve as its backdrop is grim. It's a world of deep class struggles, poverty, social climbers such as Gatsby who earned millions illegally. However, the characters in "Gatsby" are eager to sweep these unpleasant issues under the rug and cover them with parties, riches, gossip, and other superficial ways to kill time.
"The image reinforces the idea that the speaker is merely a passive passenger on the journey toward death" is the statement that <span> best describes the purpose of the horse-drawn carriage imagery in this stanza. The correct option among all the options that are given in the question is the first option or option "A".</span>